Born near Paris and shaped by journeys across France, I found my academic home in Toulouse, where I completed a Master’s in History and a B.A. in Anthropology and Linguistics, with art history adding depth to my studies. My travels didn’t end there—in 2010, I began exploring the world, living in the USA, New Zealand, and eventually settling in Ireland in 2017. This journey across continents opened my eyes to the powerful role that culture and identity play in shaping who we are.
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My path in art is largely self-taught, though it has been nurtured from a young age by creative pursuits. Mosaic and watercolor became my mediums, with watercolor taking center stage now for its accessibility to my current life.
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My background in Anthropology and History led me to a unique and evolving subject: contemporary witchcraft. This multidisciplinary topic allows me to observe, interpret, and create, blending cultural insight with artistic expression. Here in Monaghan, Ireland, I’ve found the ideal space to delve into this journey, bringing my work to life in a place rich with its own ancient, yet living, traditions.
To glimpse who we are—our culture, beliefs, and the unspoken patterns that shape us—I believe it’s essential to shift between paradigms, much like an anthropologist observing distant tribes. My journey has led me to step into many worlds: moving between belief systems, social classes, political perspectives, family structures, and the contrasts of bustling cities and quiet rural landscapes. Each setting brings its own codes, and learning to read them is part of settling in.
These experiences are only the beginning of a journey that resists easy definitions. Art has become my way to convey what cannot be entirely expressed or categorized—to offer glimpses of the vast, layered worlds I’ve encountered without confining them to a single narrative.
Alongside my artwork, I will attempt to put some of these observations into words, though always with caution against trapping them in fixed concepts. Thankfully, remaining somewhat unknown allows these reflections to stay free of rigid interpretations. If you come across my words, please remember that the world itself needs fluidity, always in motion. Nothing I say should be seen as an absolute; it is simply an attempt to trace the shifting contours of the worlds I explore.